Born
in London in 1947, Roger Ackling is one of Britain’s leading
abstract artists of the last 40 years. He has exhibited at the highest
international level since the mid 1970s and has works in public collections
such as; the Stedelijk Museum, Amsterdam, Museum of Contemporary Art,
Geneva, Kunstmuseum, Vienna, Victoria & Albert Museum, London,
Tokyo Metropolitan Museum, Tate Gallery, London, Museum of Modern Art,
Edinburgh, Kunst Museum, Zurich.
_________________
Ackling
doesn't touch the objects he works on. Nobody does. He finds them discarded
and washed up on beaches, their features salt-eaten smooth, or in skips,
dumps or other wastelands - fragments of wooden objects with some forgotten
purpose and history. His interaction is limited to placing them in
the sun and determining the manner in which he will 'draw' across their
surfaces by focusing rays of the sun through a magnifying glass, burning
geometric lines into the wood. The lines are actually a series of
scorched dots. And each dot is a record of its determining constituents;
the fluctuating strength of the sun from one moment to the next, the
steadiness of his hand, the physical demands of hours of absolute stillness.
And, of course, the presence of any object which intervenes between
the sun and surface - cloud, bird, aeroplane or passer-by - will be
registered. Bands of horizontal marks, burnt against the grain
of the wood, are placed in response to the physical characteristics
of the object, whether three dimensional characteristics of shape or
extension, joints or troughs; or occurrences on the surface such as
nails, holes, or the last traces of paint still clinging from its previous
life.
|
|
|